Flying After a Day of Real Work

The cool air flowing over me like a constant drink of fresh, sweet water, cooling the sweat that coats my body—sweat from real work. The warm presence of thirst in my mouth. The wind rushing past my ears, drowning out the sounds of the clamoring world. The blowing past my face, the cutting, pressing, refreshing air of—

When the bike stops clicking and only whirs.

When the incline dips, turns into a real hill—

When the road turns ahead.

And the passing air keeps whipping at me, caressing me, lifting me.

It’s the burning, hateful climb up that makes the racing, breathing, living flight down so immeasurably blissful.

Unbaited Cabbages

Athena and I just spent two glorious weeks immersing ourselves in Shakespeare! We read plays, acted them out, wrote papers, watched movies, went to Ashland, and even dueled our peers.

Ahhh, so wonderful. I never knew the Ashland Festival existed before this experience. And I declare to everyone: You must go this summer! Find a way! Hamlet and Henry the Fourth, Part 1 must be seen. The other plays that are preformed are also very good, but Hamlet and Hal are the best.

We were spoiled rotten. Our group meet the leads from every Shakespeare show: Miriam (Countess Olivia, Twelfth Night), John (Prince Hal, Henry the Fourth), Anthony (Shylock, Merchant of Venice), and Dan (Hamlet, Hamlet). We got to hear from each of them about their preparations for their parts, their experience, philosophies about theater, and so much more. John told us about a young woman who once had to do a 7 second quick change in the dark in very small space, and took us on a tour of the theaters. We met with a leading costume designer for Hamlet, and oh my word, all the intense preparation that goes into the production.--ahh, Savers we love you well.

The Elizabethan theater is in the open air, and we got rained on at least twice. Almost didn't get to see the duel between Hal and Hotspur, but they fought wonderfully. John told us that both he and the other actor are sporting great bruises from that night. The Angus Bowman theater was built in the 70s and the stage is incredible. Anything a director wants to happen on that stage can be done. The flooring is able to be manipulated in so many ways, it's ridiculous! Each play has its own amazing and completely unique set. John told us that often the crew only has two to three hours to do a complete change over from one play to another. It only takes two-three hours for Hal's England to be transformed to Shylock's Venice--good grief!

This experience has only wetted my appetite for more. I want to go back and watch, and help, and perform. I don't know exactly why I should be one to have such an incredible time. I know that it was only through completely undeserved grace. If I've learned anything, I think that I've learned my age. I'm not too old, and I shouldn't stop trying.